Dear Morris--here is your letter--
Can my answer reach you now?
Fate has left me your debtor,
You will remember how;
For I went away to Nantucket,
And you to the Isle of Orleans,
And when I was dawdling and dreaming
Over the ways and means
Of answering, the power was denied me,
Fate frowned and took her stand;
I have your unanswered letter
Here in my hand.
This--in your famous scribble,
It was ever a cryptic fist,
Cuneiform or Chaldaic
Meanings held in a mist.

Dear Morris, (now I'm inditing
And poring over your script)
I gather from the writing,
The coin that you had flipt,
Turned tails; and so you compel me
To meet you at Touchwood Hills:
Or, mayhap, you are trying to tell me
The sum of a painter's ills:
Is that Phimister Proctor
Or something about a doctor?
Well, nobody knows, but Eddie,
Whatever it is I'm ready.

For our friendship was always fortunate
In its greetings and adieux,
Nothing flat or importunate,
Nothing of the misuse
That comes of the constant grinding
Of one mind on another.
So memory has nothing to smother,
But only a few things captured
On the wing, as it were, and enraptured.
Yes, Morris, I am inditing--
Answering at last it seems,
How can you read the writing
In the vacancy of dreams?

I would have you look over my shoulder
Ere the long, dark year is colder,
And mark that as memory grows older,
The brighter it pulses and gleams.
And if I should try to render
The tissues of fugitive splendour
That fled down the wind of living,
Will they read it some day in the future,
And be conscious of an awareness
In our old lives, and the bareness
Of theirs, with the newest passions
In the last fad of the fashions?

* * * * *

How often have we risen without daylight
When the day star was hidden in mist,
When the dragon-fly was heavy with dew and sleep,
And viewed the miracle pre-eminent, matchless,
The prelusive light that quickens the morning.
O crystal dawn, how shall we distill your virginal freshness
When you steal upon a land that man has not sullied with his
intrusion,
When the aboriginal shy dwellers in the broad solitudes
Are asleep in their innumerable dens and night haunts
Amid the dry ferns, in the tender nests
Pressed into shape by the breasts of the Mother birds?
How shall we simulate the thrill of announcement
When lake after lake lingering in the starlight
Turn their faces towards you,
And are caressed with the salutation of colour?

How shall we transmit in tendril-like images,
The tenuous tremor in the tissues of ether,
Before the round of colour buds like the dome of a shrine,
The preconscious moment when love has fluttered in the bosom,
Before it begins to ache?

How often have we seen the even
Melt into the liquidity of twilight,
With passages of Titian splendour,
Pellucid preludes, exquisitely tender,
Where vanish and revive, thro' veils of the ashes of roses,
The crystal forms the breathless sky discloses.

The new moon a slender thing,
In a snood of virgin light,
She seemed all shy on venturing
Into the vast night.

Her own land and folk were afar,
She must have gone astray,
But the gods had given a silver star,
To be with her on the way.

* * * * *

I can feel the wind on the prairie
And see the bunch-grass wave,
And the sunlights ripple and vary
The hill with Crowfoot's grave,
Where he 'pitched off' for the last time
In sight of the Blackfoot Crossing,
Where in the sun for a pastime
You marked the site of his tepee
With a circle of stones. Old Napiw
Gave you credit for that day.
And well I recall the weirdness
Of that evening at Qu'Appelle,
In the wigwam with old Sakimay,
The keen, acrid smell,
As the kinnikinick was burning;
The planets outside were turning,
And the little splints of poplar
Flared with a thin, gold flame.
He showed us his painted robe
Where in primitive pigments
He had drawn his feats and his forays,
And told us the legend
Of the man without a name,
The hated Blackfoot,
How he lured the warriors,
The young men, to the foray
And they never returned.
Only their ghosts
Goaded by the Blackfoot
Mounted on stallions:
In the night time
He drove the stallions
Reeking into the camp;
The women gasped and whispered,
The children cowered and crept,
And the old men shuddered
Where they slept.
When Sakimay looked forth
He saw the Blackfoot,
And the ghosts of the warriors,
And the black stallions
Covered by the night wind
As by a mantle.

* * * * *

I remember well a day,
When the sunlight had free play,
When you worked in happy stress,
While grave Ne-Pah-Pee-Ness
Sat for his portrait there,
In his beaded coat and his bar