Alfred Edward Housman

Here you will find the Long Poem Fragment of a Greek Tragedy of poet Alfred Edward Housman

Fragment of a Greek Tragedy

CHORUS: O suitably-attired-in-leather-boots
 Head of a traveller, wherefore seeking whom
 Whence by what way how purposed art thou come
 To this well-nightingaled vicinity?
 My object in inquiring is to know.
 But if you happen to be deaf and dumb
 And do not understand a word I say,
 Then wave your hand, to signify as much.

 ALCMAEON: I journeyed hither a Boetian road.
 CHORUS: Sailing on horseback, or with feet for oars?
 ALCMAEON: Plying with speed my partnership of legs.
 CHORUS: Beneath a shining or a rainy Zeus?
 ALCMAEON: Mud's sister, not himself, adorns my shoes.
 CHORUS: To learn your name would not displease me much.
 ALCMAEON: Not all that men desire do they obtain.
 CHORUS: Might I then hear at what thy presence shoots.
 ALCMAEON: A shepherd's questioned mouth informed me that--
 CHORUS: What? for I know not yet what you will say.
 ALCMAEON: Nor will you ever, if you interrupt.
 CHORUS: Proceed, and I will hold my speechless tongue.
 ALCMAEON: This house was Eriphyle's, no one else's.
 CHORUS: Nor did he shame his throat with shameful lies.
 ALCMAEON: May I then enter, passing through the door?
 CHORUS: Go chase into the house a lucky foot.
 And, O my son, be, on the one hand, good,
 And do not, on the other hand, be bad;
 For that is much the safest plan.
 ALCMAEON: I go into the house with heels and speed.

 CHORUS

 Strophe

 In speculation
 I would not willingly acquire a name
 For ill-digested thought;
 But after pondering much
 To this conclusion I at last have come:
 LIFE IS UNCERTAIN.
 This truth I have written deep
 In my reflective midriff
 On tablets not of wax,
 Nor with a pen did I inscribe it there,
 For many reasons: LIFE, I say, IS NOT
 A STRANGER TO UNCERTAINTY.
 Not from the flight of omen-yelling fowls
 This fact did I discover,
 Nor did the Delphine tripod bark it out,
 Nor yet Dodona.
 Its native ingunuity sufficed
 My self-taught diaphragm.

 Antistrophe

 Why should I mention
 The Inachean daughter, loved of Zeus?
 Her whom of old the gods,
 More provident than kind,
 Provided with four hoofs, two horns, one tail,
 A gift not asked for,
 And sent her forth to learn
 The unfamiliar science
 Of how to chew the cud.
 She therefore, all about the Argive fields,
 Went cropping pale green grass and nettle-tops,
 Nor did they disagree with her.
 But yet, howe'er nutritious, such repasts
 I do not hanker after:
 Never may Cypris for her seat select
 My dappled liver!
 Why should I mention Io? Why indeed?
 I have no notion why.

 Epode

 But now does my boding heart,
 Unhired, unaccompanied, sing
 A strain not meet for the dance.
 Yes even the palace appears
 To my yoke of circular eyes
 (The right, nor omit I the left)
 Like a slaughterhouse, so to speak,
 Garnished with woolly deaths
 And many sphipwrecks of cows.
 I therefore in a Cissian strain lament:
 And to the rapid
 Loud, linen-tattering thumps upon my chest
 Resounds in concert
 The battering of my unlucky head.

 ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
 And that in deed and not in word alone.
 CHORUS: I thought I heard a sound within the house
 Unlike the voice of one that jumps for joy.
 ERIPHYLE: He splits my skull, not in a friendly way,
 Once more: he purposes to kill me dead.
 CHORUS: I would not be reputed rash, but yet
 I doubt if all be gay within the house.
 ERIPHYLE: O! O! another stroke! that makes the third.
 He stabs me to the heart against my wish.
 CHORUS: If that be so, thy state of health is poor;
 But thine arithmetic is quite correct.